(From the 3rd - 7th century)
This is the art and architecture produced for the unsplited Christian church.
This art extends over the Late Antique period, Roman art and architecture (the
late 2nd - 7th century), and the Byzantine art and architecture (from 5th - 7th
century).Before the Edict of Milan (313), which made Christianity the Roman Empire's state religion, Christian art was restricted to the decoration of the hidden places of worship. Most early religious artists worked in manner that was derived from Roman art, appropriately stylized to suit the spirituality of the religion. These artists chose to reject the ideals of perfection in form and technique. They rather sought to present images which would draw the spectator into the inner eye of their work, pointing to its spiritual significance. An iconography was devised to visualize Christian concepts. The first Christians don't see in art a way of expressing beauty, but one of transmitting their faith and beliefs as well as to teach them.
After the fourth century, under imperial sponsorship, Early Christian architecture flourished throughout the Roman Empire on a monumental scale. Buildings were of two types, the longitudinal hall - basilica, and the centralized building - a baptistery or a mausoleum.
The exteriors of Early Christian buildings were plain and unadorned and the interiors contrarily, were richly decorated with marble floors and wall slabs, frescoes, mosaics, metal works, hangings, and sumptuous altar furnishings in gold and silver. Early Christian illuminated manuscripts are of an unusually high quality.
Freestanding Early Christian sculpture is rarely seen. Early Christian bas-reliefs survive in abundance in marble and porphyry.
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